= Menu

International Tropical Baroque
Music Festival XVII

Profeti della Quinta:
Profeti della Quinta

Sunday, February 26, 2017 at 3:00 PM

Profeti della Quinta

Coral Gables Woman (click here for map)
1001 E Ponce De Leon Blvd
Coral Gables, FL 33134

Tickets Passes

Salamone Rossi was something of a solitary figure in Mantua. He was certainly a member of the significant Jewish community of the city, which contributed many scholars, writers and doctors to the late Italian Renaissance, even sending a delegation to the Council of Trent, cradle of the Catholic Counter-Reformation, where it obtained permission to publish Hebrew books. It had suffered good and bad times in Mantua, often depending on the characters of the Dukes, for several centuries members of the Gonzaga family. In his published works Rossi was referred to as “Salamone Rossi Ebreo.”

By the time he was grown, Vincenzo Gonzaga, who lavishly supported the arts, was the Duke, and Rossi was well-known as a musician and virtuoso violinist. He was close to the court and performed there often, close enough that he was excused from wearing the Jewish badge, then required in the city. It appears, however, that he was rarely actually employed by the court and did not travel with the Duke, both things that were true of Claudio Monteverdi in the same period. He was more closely associated with a Jewish theater company maintained by the court and composed for them.

As a composer he was, along with a number of other eminent musicians, deeply involved in the intellectual life of Italy at the moment between the late Renaissance and the Baroque. His early books of madrigals on texts by poets such as Battista Guarini and Gabriello Chiabrera, who also provided texts for Monteverdi, appear very similar to that composer’s early madrigals. They breathe the same air of pastoral innocence and simple four part vocal writing.

Indeed, the comparison is a useful tool for placing him in context. Later compositions have more amatory lamentation in the mannerist style but also begin to

use a musical style based on a single melody with accompaniment – essentially the seconda prattica of Monteverdi. In instrumental music this tendency led to early forms of the trio-sonata, essentially two solo voices with a bass accompaniment.

Salamone was one of the first to publish music for the Jewish liturgy in Hebrew, but, in contrast again with Monteverdi, used much the same musical vocabulary and techniques as in the secular tradition. Composers for

the Catholic liturgy had a stylistic tradition which had developed slowly from chant to the Venetian choral magnificence of Gabrieli, for example. The music of the Jewish liturgy had always eschewed magnificence, even

celebration, and was deeply rooted in the oriental, modal chant of long before. It had changed very little over time. In this sense, Rossi’s Ha-shirim asher li-Shelomoh, containing over thirty settings, mostly of psalms and composed in a very contemporary style, represented a major event. The combining of the rhythms of the language with those of the music presented serious technical problems which Salvatore Rossi was well fitted to solve. For one thing, the language traditionally begins on the right, classical music on the left. It suggests that, more than just a violinist, he was an adventurous and forward thinking intellect.

In 1630 Austrian troops stormed and captured Mantua. The Jewish ghetto was destroyed and its inhabitants dispersed. The Renaissance was over for the community.

It is probable that Salamone Rossi died that same year.

 

Ticket prices include reception, casual setting concert, early dinner, plus "Meet and Greet" with the artists. Refreshment tickets can be purchased through this website and during the event. Student tickets are not available for this concert.


Or Call 305-669-1376 to purchase tickets on the phone

*Clips listed here are representative of the artists and composer, but may be different
from those being played in the Tropical Baroque Music Festival program
*Clips listed here are representative of the artists and composer, but may be different
from those being played in the Tropical Baroque Music Festival program

March 1st, 3rd, and 5th TROPICAL BAROQUE MUSIC FESTIVAL XVIII

TROPICAL BAROQUE MUSIC FESTIVAL CONTINUES on MIAMI BEACH
March 3rd and March 5th, 2017

"BACH TO THE BEACH" is presented with the generous support of City of Miami Beach, Miami-Dade County Festival Grant, and Tourist Development Grant.


ACRONYM

Friday, March 3, 2017 at 8:00 PM

Johann Rosenmuller: Valley of Tears
Sonatas and Cantatas from Johann Rosenmuller (1619-1684), featuring baritone, Jesse Blumberg

On Sunday, March 5, 2017 at 8:00 PM, this year's closing concert for Festival XVIII will be the return of

VENICE BAROQUE ORCHESTRA

VIVALDI WORLD-WIDE

It was only really after World War II that the cult of Antonio Vivaldi began to become a world-wide phenomenon.

The Four Seasons is now so familiar that we hear it in elevators and even as we wait for voice mail, but it is also a reference point in trying to define what makes an exciting performance. Certainly we have an essential curiosity to explore new music or newly rediscovered music. There is so much of it. There is pleasure also in hearing familiar music and thinking about performance.

BOTH OF THESE "BACH TO THE BEACH" CONCERTS WILL BE PRESENTED AT:

St John's On the Lake
4760 Pine Tree Dr
Miami Beach, FL 33140
Tickets available through this website or at the door the night of the concert.

For more info ...

MBS is a 501(c)3. Your support and donations are greatly appreciated. Miami Bach Society is a proud participant of Miami-Dade County's "Culture Shock" and "Golden Ticket" programs. Offering the best in cultural experiences to all of South Florida.